Year's End
Christmas is strange when you don't have relatives around you. There are no arguments. Everything gets done in record time. You don't spend an hour gathering everyone together to try and leave on a constitutional walk; you just go. Present unwrapping isn't a chaotic bunfight of ripped paper and exaggerated coos of appreciation; it's calm, coordinated and over in minutes. Dinner doesn't consist of roasting a gigantic bird in the oven for hours and hours; we had two tiny partridges, done in 30 minutes, with a pear sorbet for dessert. ("On the first day of Christmas, my true love gave to me...") And there's no one to stop you watching Pauline Fowler being killed off in EastEnders.
I had to work between Christmas and New Year; grateful for some employment in an otherwise sparse December. The This Life ten-years-on special, a debate about Bloody Sunday and the final series of Drop The Dead Donkey came my way: surprisingly rich pickings. Commutes in were almost glorious: buses turned up regularly, there was a seat on the Tube every morning and even air to breathe. Commutes home with frazzled, burned out sales shoppers and confused tourists were at their usual level of unbearability. We've also managed to take in the Velazquez exhibition and the RSC's latest production of Much Ado About Nothing, starring Tamsin Greig and set in a humming, sultry Cuban town.
And as we said this time last year, this will be our last Christmas in London...
REBECCA










